By Shannon Musgrave


Leslie Odom, Jr. told current Carnegie Mellon School of Drama students that “Hamilton” provided him the first opportunity to utilize “every bit” of the training he received at CMU. 

“When you are handed a masterpiece,” he said, “it demands more – and conversely, less – of you. Tricks don’t work. You need to lean on your pure training.”

Odom was back in Pittsburgh on Sept. 23 for a special one-night-only conversation hosted by Robert Ramirez, head of the School of Drama, and presented in partnership with the Pittsburgh Cultural Trust. He spent the morning on campus in the Purnell Center for the Arts, which was a brand-new building when he was a student in the early 2000s. Though more than 20 years have passed since then, the shared connection and experience between him and today’s students was palpable. When he recalled a specific exercise from movement professor Kaf Warman’s class that involved “walking to the end of a dock,” the room full of students gave a knowing cheer.  

Senior acting major Danielle Williams asked Odom what he considered to be his purpose as an artist. His response: “To put forth truthful renderings of Black life.” He turned the question back to her, and without hesitation, she responded that her purpose has always been driven by inclusivity and representation in the industry. “I want to make more space for those who don’t have it and are told we shouldn’t have it,” she said. 

Leslie Odom, Jr. addresses a large group of students in an acting studio at Carnegie Mellon University.
Leslie Odom, Jr. speaks to Carnegie Mellon School of Drama students. Photo by Louis Stein.

Tiffany Blandin, a junior acting major, asked about coping with times of artistic drought. Odom’s advice was to go inward, write, and lean on community.

“My dearest friends are still my friends from Carnegie Mellon,” he said.

“I was moved by the deep connections Leslie has been able to maintain with CMU alumni,” said Blandin. “As students, we get the best acting training in the country, yet the one thing I will never forget is the beautiful family I’ve created here that will last a lifetime.”

That evening, on stage at the O’Reilly Theater in Downtown Pittsburgh, Ramirez started the conversation with Odom’s Broadway debut in “Rent” at age 17. Odom recalled sharing the stage with Michael McElroy, who was playing Collins, and observing his professionalism and artistic process. Odom asked him one night in their dressing room for advice on honing his craft and McElroy told him to go to Carnegie Mellon. (McElroy graduated from the School of Drama in 1990.) 

“I went to Carnegie Mellon because I thought they were going to make me into Michael McElroy,” Odom told the audience. “It took me a while to realize that they were not going to turn me into Michael, but they were going to make me the best Leslie I could be.” 

“My dearest friends are still my friends from Carnegie Mellon.”

-Leslie Odom, Jr.

When Ramirez asked Odom to talk about his experience working on “Hamilton,” he repeated what he had told the students earlier in the day: He used every facet of his training because the brilliance of the piece demanded it. He talked about the experience of transferring the show from The Public Theater in New York to Broadway, and how he watched a recording of his own performance to see what needed to be tweaked. He gave the audience a short teaser of the opening number, demonstrating how small and intimate his initial interpretation was…

“How does a bastard orphan, 
Son of a whore and a Scotman, 
Dropped in the middle of a forgotten spot in the Caribbean…”

The audience delighted in the mini-performance, providing the song’s famous percussive snaps. 

Odom won a Tony Award for his performance in “Hamilton,” as did fellow CMU alum Renée Elise Goldsberry, for her performance as Angelica Schuyler.  

Finally, Ramirez turned to Odom’s most recent Broadway endeavor, producing and starring in the 2023 revival of Ossie Davis’s “Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch.” Ramirez recalled seeing Odom’s performance and posited that his work was an exemplary manifestation of his purpose, to “put forth truthful renderings of Black life.”

Odom released an album of 10 original songs in 2023 called “When a Crooner Dies.” He was named one of Time magazine’s 100 Most Influential People of 2024. He will spend November and December of this year on tour. Learn more at leslieodomjr.com

Leslie Odom, Jr. poses for a photo with a student in an acting classroom.

Nyree Binns, sophomore actor, poses with Leslie Odom, Jr.

Large group of students and faculty pose for a photo with Leslie Odom, Jr. in an acting classroom.

School of Drama Acting/Music Theater students with Leslie Odom, Jr.

Leslie Odom, Jr. talks with a student in an acting classroom.

Leslie Odom, Jr. talks with junior music theater student Tripp Taylor.

Top image by Brett Rothmeyer.

By Alexander Johnson


Since its founding, Carnegie Mellon University has served not only as a premier institution of higher learning in engineering and the sciences, but as an environment where community members can collaborate across traditional boundaries.

In 1911, when the plans were first submitted for the building which currently houses the College of Fine Arts, university founder Andrew Carnegie rejected them on the basis of the inclusion of a 420-seat auditorium. His thoughts on the matter were straightforward: “It is not elevating, and a college campus is no place for a theatre.”

Henry Hornbostel, the building’s designer, did not give up on the plan — or the theater. Instead, he rebranded the auditorium and its adjacent spaces as a “Dramatic Laboratory,” resubmitting the plans for Carnegie’s consideration. They were approved soon after, and the groundwork was laid for what is now the nation’s oldest degree-granting drama program.

Much of the mindset that Hornbostel applied while planting the seeds for the college’s construction — ardently pursuing the arts while paying homage to the sciences — is applied by students today. This holds especially true for the BXA Intercollege Degree Programs, which allow undergraduate students to combine an arts curriculum with studies in science, technology, engineering, math (STEM) or the humanities.

“The best work in a discipline happens when you get new questions being asked,” said M. Stephanie Murray, senior associate dean for interdisciplinary initiatives and a teaching professor in BXA. “Interdisciplinary education is a way to make that happen, and to make sure that you have people asking interesting questions from perspectives that hadn’t been thought about before.”

Murray said that many students choose drama as part of their degree knowing that their combination of interests may be one of a kind. However, advisers in the program encourage them to embrace this unfamiliarity precisely because it promotes innovative thinking.

“In drama specifically, there’s such a tradition of both the establishment and of what avant-garde looks like, that the introduction of technology into those spaces brings the kinds of perspectives and creativity that maybe wouldn’t be featured in a more traditional theater program,” she added.

The Academy of Television Arts & Sciences presented the 76th Primetime Creative Arts Emmy Awards on Sept. 7 and 8 at the Peacock Theater in Downtown Los Angeles, California.

Among the winners were two Carnegie Mellon University alumni from the School of Drama’s scenic design program, Alana Billingsley, (BFA, 2004) graduateand John Zuiker (MFA, 2011).

Both took home the trophy for Outstanding Production Design for a Variety Special for their work on this year’s Oscars. Billingsley was the show’s production designer and Zuiker was art director. This marked the fourth Emmy win for Billingsley and the first for Zuiker. 

Pictured: John Zuiker and Alana Billingsley. Photo credit: AMPAS

The 76th Primetime Emmy Award nominations were announced on July 17 and 10 Carnegie Mellon University alumni from the School of Drama racked up a total of 16 nominations.

Matt Bomer (BFA, 2000) is nominated for Outstanding Lead Actor in a Limited or Anthology Series or Movie for his role as Hawkins “Hawk” Fuller in Showtime’s “Fellow Travelers.” 

The television miniseries has a little bit of everything, billed as a political, romantic, historic thriller based on the 2007 novel of the same name by Thomas Mallon. The miniseries also features 2009 School of Drama alumnus Will Brill (who recently won a Tony Award for his portrayal of Reg in the Broadway hit “Stereophonic”) as the infamous lawyer Roy Cohn. This marks Bomer’s second Emmy nomination. He was also nominated in 2014 for his role as Felix Turner in HBO’s “The Normal Heart.”

Two-time Emmy winner Noah Mitz (BFA, 2002) added four nominations to his credit, bringing his career total to 32. Mitz is a lighting designer, nominated this year for Outstanding Lighting Design/Lighting Direction for a Variety Series for his work on both “America’s Got Talent” and “Dancing with the Stars,” as well as Outstanding Lighting Design/Lighting Direction for a Variety Special for his work on both the 66th Grammy Awards and the 76th Tony Awards.

Also in lighting, Ryan Tanker (BFA, 2010) and Will Gossett (BFA, 2015) earned two nominations each, for their works as lighting directors on both “America’s Got Talent” and the 66th Grammy Awards. 

Art Directors Alana Billingsley (BFA, 2004), Kristen Merlino (BFA, 2005) and John Zuiker (MFA, 2011) added to their climbing number of Emmy nominations. All three are nominated for Outstanding Production Design for a Variety Special. Billingsley, a three-time Emmy winner, and Zuiker were both nominated for their work on the Oscars, while Merlino earned her tenth nomination for her work on the 66th Grammy Awards.  

This year marks the first Emmy nominations for alumni Hillary Knox (BFA, 2002), Emma Present (BFA, 2016) and Hannah Kerman (BFA, 2021). Knox is nominated for Outstanding Lighting Design/Lighting Direction for a Variety Series for his work as moving light programmer for “The Late Show with Stephen Colbert.” Present is nominated for Outstanding Sound Editing For A Limited Or Anthology Series, Movie Or Special for her work as dialogue editor on “All The Light We Cannot See.” Kerman earned two nominations as lighting director in the category Outstanding Lighting Design/Lighting Direction for a Variety Series, for her work on both “America’s Got Talent” and “Dancing with the Stars.”

Pictured: Matt Bomer in “Fellow Travelers.” Photo courtesy Ben Mark Holzberg/SHOWTIME

The Hollywood Reporter’s Annual “Best Drama Schools” list for 2024.

THR consulted with members of the industry and educators to determine its ranking of the best schools for an acting degree, with factors including overall training, cost, alumni success and more. Tuition, when applicable, is listed on an annualized basis and does not include housing and other fees, unless otherwise indicated.

4. Carnegie Mellon

Pittsburgh

In the school’s strong undergraduate program, both acting and music theater students take the same core curriculum before moving into more specialized training, including classes on the business side of the profession, with the goal of preparing students for work in film, television, theater and more. Its illustrious alumni include Judith Light, Zachary Quinto and Matt Bomer, and several who have seen success on Broadway in the past year, with acting Tony recognition for Leslie Odom Jr. (Purlie Victorious) and Sarah Pidgeon and Will Brill (both in Stereophonic). Tuition for the undergraduate program is just under $65,000.

Broadway raised the curtain at the David H. Koch Theater at Lincoln Center for the Performing Arts in New York to hold The 77th Annual Tony Awards on Sunday, June 16.

The theater community honored the 2023-2024 Broadway performances and productions during a multiplatform preshow on Pluto TV, Paramount+, and a primetime telecast on CBS.

Throughout the evening, Carnegie Mellon University alumni were among the award show performers, presenters, nominees, winners and advocates for theater education. CMU has a long-standing tradition of producing top talent onstage and behind the scenes. Its School of Drama (opens in new window)is the oldest degree-granting drama school in the country and consistently ranks as one of the world’s best drama schools.

CMU ALUMNI WINNERS

  • Will Brill, School of Drama, BFA 2009
    Best Featured Actor in a Play – Reg in “Stereophonic”

  • Jamie deRoy, School of Drama, 1967
    Best Revival of a Musical “Merrily We Roll Along” (Producer)
    Best Play “Stereophonic” (Producer)

  • Billy Porter, School of Drama, BFA 1991
    2024 Isabelle Stevenson Tony Award

In the six months of preparation for the brand-new musical “The Heart of Rock and Roll(opens in new window),” costume designer Jen Caprio said her costume team tried 30 pairs of jeans for the lead character, Bobby, to settle on just the right combination of form and function.

“Were they too loose, were they too tight? The ‘80s jeans had no stretch in them. Could he move in them?” said Caprio, who earned a master of fine arts degree from the School of Drama(opens in new window) in 2003.

Among the many CMU alumni who have made careers on Broadway, Caprio said Carnegie Mellon prepared her in the way she works on script, storytelling and character analysis, and how she works with actors to include them in the design process.

“The way CMU approaches collaboration is different from other schools and it’s always really refreshing,” Caprio said. “It’s always a more in-depth dramaturgical process when I come across other CMU alumni, and maybe that’s just because we share a language.”